Posts from the ‘poetry’ Category

Painting experiment No. 3

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Sharpie Markers, 91% isopropyl alcohol and gravity, 8×10″, on canvas board.  Bird painted in acrylic.  Private collection.  We made this up last Thursday with a new art instructor in the house!  Very cool.  Not sure though how long something like this is going to last…  For now though it looks cool and for the beginner artist: a fun way to open the door.

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Introduction to the Woodland School of Art with drawing exercise:  your instructor:  Mark Seabrook, B.A., B.Ed., and woodland style enthusiast!  One of the fun things we get to do is make art presentations and my fave is the Intro to, which includes a 50 minute drawing exercise where everyone gets a turn at drawing the Moose!

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Chalk on board, 48×72 inches, twinravens style moose in the Woodland School of Art style, made famous by the great Norval Morrisseau way back in 1962!  We have a fun time with this class and it works wonders no matter where we go!

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Found Poetry, Book 4, Sharpie marker and black ball point pen on thinly spread dollar store acrylic, on 1991 issue paper.  The book title is:  The Dream at the End of the World.  Love the title, don’t care about the book!  The paper is quality and I’ve been fussing with this little art and writing project since just after Labour Day.  Book 4…  should be ready by Xmas.  The fun thing about this one is there is a brand new bundle of very interesting drawing scattered throughout, interesting in a way that might lead to a new series of paintings.

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Ball point pen, 90 pound paper, sketch book, from 1995.  That would be Treasure Island in Lake Mindemoya, Manitoulin Island, Ontario, Canada, in the back ground.  And up front of course is the traditional dancer without his bustle.  Hey we are working a colouring book for the advanced: we’re way beyond keeping it within the black lines on this one.  It IS in the works.  This is going to be one of the pages!

The art journey and artist life continues!

Spoken Poetry

Performed by writer and arranger:  Mark Seabrook.

Many thanks for that email and so here is a selection, as requested:  Poetry.  By yours truly.  What we have here though is “Found Poems”:  we take a hard cover novel from the goodwill, we pick a title that we are attracted to, never minding what the book is about, and we use the “black out” technique, covering the words that mean nothing to us, leaving behind what does mean something.

The book I selected from the shelves at the goodwill:  Every Living Thing.  That title meant something to me.  Copyright way back in 1992, by James Harriot.  We picked it not only for the title but for the quality of the paper within the book:  we’re turning those pages into artwork as well, and art work needs good paper.  So be selective when you’re creating one of these fun Found Poetry books.  Find a title that means something to you and find one made with quality paper.  342 pages takes time: I started book 1 on October 16, 2018 and finished it on November 25, 2018.  We’re working on book 4.  But here are some selections from book one:  Every Living Thing.  Spoken Poetry performed by anishnabe artist and writer:  Mark Seabrook.

Oops!  My bad!  This one is from:  Infinite Riches, published in 1998 by Phoenix House, author Ben Okii.  Saved from the rubbish heap by yours truly and turned into a one of a kind book of poems and art!  (These can become heavy duty journals along the way!  This is book 2, created December 20, 2018 to May 9, 2019.  So be careful!)

Classic love stories, from the road taken…

Classic love stories…

Classic love adventures…

More classic love adventures…

Some of these, you may have to sign into your youtube account.

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Artwork from the pages of:  Every Living Thing.  Sharpie marker on dollar store acrylic paint spread thinly.  Sometimes there is no poetry to be found!  In which case turn the page or pages into visual arts!

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Yes…  it can become very telling.  Artwork and poetry, in book 2:  Infinite Riches.

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Ball point pen on acrylic paint spread thinly.  Woodland School style artwork by Anishnabe artist Mark Seabrook.

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Kooky.  Sharpie marker on acrylic paint spread thinly.  (Not sure where I was on November 9, 2018, but judging by this: going down memory lane…  )

And so there it is!  Spoken Poetry, written and performed by yours truly.  Art work, drawings and so on, created by yours truly.  It is an art and writing adventure!  Let me know what you think!  Drop me a line anytime.

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One for the road:  don’t forget to add a little colour to those art pages!  Dollar store acrylic paint with sharpie markers.

 

SUN INFINITY MOON Book Review

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Mark Seabrook is multifaceted with a tremendously creative spirit and a flair for storytelling, using the musical, visual and literary arts to carry forward his unique “voice”.  

SUN INFINITY MOON is the latest literary offering from Mark and is a collection of anecdotal accounts – years in the making – as told through an Anishnabe character named Sun, whom, along with all the others who make an appearance in this book is reportedly fictitious, existing, as Mark states in the foreword “wholly within the author’s imagination”…  ”Any resemblance to actual persons living or dead, events or locals [sic] is entirely coincidental.”

For readers who may be familiar with Mark Seabrook’s life and works, the coincidental resemblances are pronounced and one finds it impossible to refrain from attempting to deduce what is real and what is imagined.  Perhaps that is precisely the way Mark intends it to be?

We begin with:  We found a pile of human bones on the floor of the tree house.  A pretty great opening line for book of stories!  There was no order to the way they were piled, it was all abstract expressionism, Jackson Pollock style […] It was that fuckin’ skull, upright, jaw missing, top teeth gnarling on the coarse floor boards, frontal and parietal blaring like a pair of brand new stripper shoes mailed in from L.A., that caught my attention.  At some point in time that was someone’s think tank.  Someone’s whole of everything was up there, everything they could imagine and cherish, childhood memories, first love, the nightmares, were stowed and secure in that brain case, which was now bone dry, on a floor.  Empty.  The maggots had cleaned house and run off.”  Mark’s phrasing and descriptors all throughout the book are marvellously evocative whether they are conveying Anishnabe angst or reflecting on non-native practices.

And there is A LOT of Anishnabe angst.  And anger.  And revengeful ravings.  Amidst the playful dark humour and erotic tales there is an unmistakable undercurrent of humans behaving badly.  Such non-edifying things I have trained myself to avoid – but as Mark is a friend and I was proud he had followed through on his goal of publishing this book, I thought it was important to give it a read and gain some understanding.  

Mark had a compelling desire to convey a “sick and disgusting story” (his words, private correspondence) without an editor’s assistance, for fear that any editing would perhaps make the stories less “his” and risk becoming adulterated by the influence of non-native manipulation.  Such close protectionism causes the book to suffer, however, and I understand a second printing is in the works, with some essential grammatical improvements that should not conflict with the telling of these tales.

Nevertheless, for all it’s disjointed recapitulations and errors, SUN INFINITY MOON is actually rich with layers of meaning, above and beyond the unpleasant disrespect the characters (both native and non-native) show for each other, for non-human creatures and for the environment.  The deepest layer Mark Seabrook crafts for readers is that a great wrong has been done to Anishnabe youth with lingering, festering wounds that continue to hinder mental wellness and self-actualization.  That dark layer of meaning is the type of wrong that occurs in all cultures, worldwide, and to this reviewer signals a psychological malfunction present within the human species itself.  It is a darkness that when illuminated by awareness, inspiration and inner discipline can be channeled into human constructs that ennoble, enrich and transform, allowing each of us to better discover our inherent talent and live up to our full potential.

If the intention of this book was to amuse and entertain while unveiling a host of deleterious behaviours and events, intermingling sweet memories with frightful ones, it has achieved that end.  It may have been cathartic for Mark Seabrook to write such a series of tales…future works will reflect that or not.  Within Mark’s character “Moon”, we see it is possible to develop awareness…perhaps in a future literary exploration, Mark can expand upon that and use his creative storytelling techniques to help humans transcend the species-wide affliction of destructive behaviours.  That would be a book I would be glad to recommend!

L.  Manitoulin Island

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Page 15, from “May 11, 1996”, SUN.  Sun Infinity Moon, by Mark Seabrook.

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Back cover:  Sun Infinity Moon, by Anishnabe artist and author: Mark Seabrook.

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Missing In Action, painted face masks, acrylic on canvas, 30×30 inches, by anishnabe artist Mark Seabrook.  Private collection.

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Missing In Action, on display in Ottawa, 2014.

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Killed In Action, painted face mask and acrylic on canvas, 30×30 inches, by anishnabe artist Mark Seabrook.  Private collection.  (On display in Ottawa, 2014)

Art Battle Tonight!

hey i was called up for tonight’s Art Battle here in Ottawa!  for those of you not in the know:  they give you a 16×20 inch canvas, acrylic paint, an easel and 20 minutes!  all you have to do as the artist is bring your own brushes and your own ideas!  i’ll tell you right now they have some pretty decent painters signing into this show, folks who can get it done fab style within those 20 measly minutes.  i am not one of them!  i can get it done in 20 but have never made it out of the first round.  maybe tonight is my night!

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that’s me back in April, thinking i had a great idea but nope!  (truth is: no matter how big the house i always come down with a serious case of the butterflies…   complete with shaking hands…  )

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that’s way back in 016, the Halloween version and big time NO GO to the 2nd round.

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in Ottawa on Friday night!

and that’s way back in 015, on my first visit to the AB, with NO DICE!

at any rate, it is a fun time, fun to be in with those other artists, and fun to be in the show!  we’re in a new venue this time, 250 City Centre, which is not downtown.  how it got the title of City Centre when its way out in the middle of nowhere is beyond me.

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Big Bucks = Happiness.  Acrylic on canvas board, 7×9 inches, by anishnabe artist Mark Seabrook.  maybe tonight i should stick with the basics.

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Indian Residential School, Hell on Earth.  Sketch.  Acrylic on canvas board, 7×9 inches.  Artist Collection.  or maybe i should attempt a “statement”.

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Stacey from Malibu, sharpie marker on 8.5×11 paper.  Artist collection.  one thing is for sure there is no time to call up Stace for advice on what to paint and what to wear.  i know what she would say though about what to wear:  You have one life to live, don’t put it off to tomorrow.

i’ll let you know how it goes!

 

Landscapes, twinravens style

As per requested, thank you for that email, here are a few of the landscapes paintings from the past few years:

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twinravens on the range, winter, acrylic on canvas board, 7×9 inches.  Artist collection.

Tehkummah Winds on September 2

Tehkummah scenes, late August, acrylic on canvas board, 10×12 inches.  Artist collection.

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Red Wing Blackbirds on the open range

Acrylic on canvas board, 7×9 inches.  Private collection.

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Tehkummah scenes, acrylic on canvas board, 7×9 inches.  Private collection.

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sketch, 7×9 inches on canvas board

Tehkummah scenes, winter.  Private collection.

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Tehkummah scenes, winter, acrylic on canvas board, 7×9 inches.  Private collection.

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Before the Blue Moon, 6 of 9

Acrylic on canvas board, 9×12 inches.  Private collection.

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twinravens on the range, 10×20 inches on canvas board

Private collection.

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Tehkummah Scenes, acrylic on canvas board, 7×9 inches

Private collection.

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A selection of 7×9’s beautifully framed by a private collector.

So there are a few of the pieces from the past few years, inspired by the open range back home in Tehkummah, inspired too by the great Jackson Pollock!

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The Range, back home in Tehkummah, Manitoulin Island, Ontario, Canada, on a fine and wonderful summer morning: in peace and in paradise!

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Home sweet home!  That’s crib on the range, Tehkummah, Manitoulin Island.

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Home sweet home on an August evening, many moons ago:  no noise pollution, no light pollution!  What a place to call home!

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Oh yes we can’t forget this one!  Acrylic, 7×9 inches on canvas board.  Artist collection.

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The Artist, at the lake, Unionville, Ontario.  A November afternoon…

Friday morning in the Slab

November 15th, in the snowy capital city, listening to some 10cc while I pack my art gear, getting ready for an art show and sale:  Roncesvalles, tomorrow, Toronto.  We’ve been happy vendors at Roncesvalles going on, has it been 5 years?  Those folks at Roncy take good care of you: both the vendor and the visitor!

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twinravens on November 5th, acrylic on canvas board, 8×10 inches.  We might have a few of these coming along to the show!  This is one of the pieces we had at the sale last weekend in Perth, many thanks to the hosts and the other artists, for a great time, some fun “art” conversations and of course the vin!

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Power Bird, acrylic on canvas, 22×28 inches.  Private Collection.  At the event in Perth, I walked in the front door and the first thing I saw hanging on the wall was my old buddy, the Power Bird.  Nice to see you again!

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Title unknown, acrylic on canvas, 30×30 inches.  Private Collection.  Also crossed paths with this golden oldie, in the library at the event in Perth.  That is Stevenson Professional acrylic, made in Toronto…  Too bad for me that Stevenson called it quits.  (I’m learning a new brand:  Golden Heavy Body)

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From the pages of:  Cruising Back to the Ranch with My Young Friend, a book of poems and photographs by yours truly, which I also happened to come across in the library at the event last weekend.  Hey I remember when I wrote that!  And here is a photo from around that time:

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Back home at mom and dad’s, the super wild summer of 1995!  That’s in the sun room on the west side of the house: you can see the last of the July day coming in those windows. Like in the novel: “over there it is day, above us is night.”  And truth is, that little typewriter I’m working on, that is when and where I wrote “Sun”, from Sun Infinity Moon, back in the days before word processors and the internet.

That twinravens summer mission statement was inspired by the poem in the liner notes of the album “Starfish”, by the Church, one of my fave albums from that time.  And let me tell you that mission statement still stands, right here in 2019!  We still cover all of those bases even though we’ve had some wild high jinx along the way this past summer:  one dead moose, one dead deer, two totalled cars, and we’ve switched out the Nikon F2 with the 16 mm lens set at infinity, for an apple iPhone!  But we still have the little black bikini, ha ha!  And of course we are still firm believers in getting a really good tan.  Well.  All of what is written in that mission statement, we follow that to the letter to this day.  If we were to add something it would be:  wear heels that are 6 inches or higher.  Ha ha.  Yes indeed!  It was fun to cross paths with that mission statement, over there in Perth, on the table in the library.  Fun stuff.

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At the beach, sweet summer time, Providence Bay, Manitoulin Island, Canada.  We’ll get back there some day.

September 11, 2019

oh the dates in history…  i remember it well 18 years ago:  we were deep deep deep in the bush, far from any radio, TV, internet, completely unaware of what was happening south of us.  as far as i could see on that morning:  the big woodland skies were blue, the land was filled with greens and the waters were dark and mysterious, the sand was warm to the bare feet.  our jungle gear was brand new, untested, like us.  i managed 7.5 years in that jungle, but my gear was pretty much worn out by the time i came back.  i think i came out of there in November 2008, darn near crawling on my hands and knees!

but as my old buddy Sallah would say:  life goes on Indy!

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we’re getting ready for a reprint of Sun Infinity Moon!  now…  yes.  i do know there are some spelling errors and layout problems in the first run.  the folks at the printers gave my project to some junior whoever, not sure how new they were to the layout position but anyway the man in charged assigned the young lad and away we went.  the problem of course is we were in a time crunch situation.  we had booked our little release party for July 20th, and there i was still fussing with the writing of it, on the morning of July 2nd, WHEN we sent it to the printers.  as far as i was concerned, when i saw those layout problems within the text, in particular, the business of paragraph indents, in the e version proofs, i was okay to run with as time really was running out.  (we had already missed a dozen deadlines.)

how i did not see:  “course language”, on the cover, i do not know.

where we really in that much of a time crunch that i missed that?  well anyway there are only 150 of them out there with that on the cover, so if you have one, you have the collector’s edition.  when we had the little release party we joked that yes, it is course language, university course language, not meant for high schools…  (ha!)

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Beaded Dreams, on Bank Street, just north of Gladstone, in Ottawa:  i dropped off a fresh bundle of books to these good folks so if you’re in the area, you can get your collector’s edition, first run copy of SUN INFINITY MOON over there.  same with Huron Island Time down on Providence Bay Beach although i imagine these days, this far into September, things might be a little slow in downtown P.B.  now sure of the hours they might be keeping.

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The Atomic Rooster, Bank Street, Ottawa:  the show is still up but your chance will soon be gone to see “For MMIWG” by anishnabe artist Mark Seabrook, up close and personal.  the canvas is 36×60 inches, Stevensons acrylic, and after this show, that painting is going into the Artist Collection, never to be seen in public again!

that is the great Peter Purdy’s artwork hanging next to mine.  title unknown, price unknown, 36×48 inches or there a bouts.  First Nations artwork.

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Mother Earth sketch, acrylic on canvas board, 18×24 inches, by anishnabe artist Mark Seabrook.  we continue to play with the idea.

Found Poetry:  The Clone Trees, as read by anishnabe artist Mark Seabrook.  The Found Poetry idea has been a lot of fun, we’re coming up with some mighty strange poems and artsy little books.  The starting point is of course you take a hard cover book from the goodwill, one with quality paper, toss the paper cover, and go to work:  much like you see here with the Clone Trees.  A book of found poems can be pretty telling as the days go by: it is not a quick fix project, book 3 was started in early May 2019 and finished just last week.  Very telling indeed…

Book 4 is in the works.  Fun stuff, crafty, artsy, and one of a kind.  And oh yes:  you’re suppose to pick a book with a title that says it all for you…

Let me know how it goes.