Posts from the ‘Uncategorized’ Category

Labour Day Weekend 019

we’re a long way from that paradise today:  back home on the range.  even if we did have a car, there is no way we could have made that drive last night, having been awake for the previous 2 days:  in the field.

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Clouds over the Ottawa River, Thursday, August 29th.  we’re a long way from home out here.  every now and again though, there is a place of peace.

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the one and only blaze i got a chance to sit with this summer:  Thursday night in the woods, somewhere off the 6th Line, west of Ottawa, in the child friendly boons.  the troops had gone in for the night but i had to stay on a bit longer with this one.  kooky i know but i had two songs going to work on me, playing in my mind: song 1: Sick As a Dog.  and song 2:  No More No More.  both from ages ago and a long lost childhood back home on Manitoulin Island and in partic:  small town Mindemoya.  back in the 70’s.

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Screen shot:  page 15 from Sun Infinity Moon.  do you know those tunes and that artwork? (of course that wasn’t me in the 70’s, that was more like the 90’s!)

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Walking After Midnight.  a lot of that going on.  at night the city is more dangerous than the wilds and outback ten thousand acres north of the Manitou River, more dangerous by a long shot, especially where we are.

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The Great Jazzy Moon, watching my six, somewhere along spooky Montreal Road, sometime in August, after the 11th.

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Visiting from Over Seas-Deep in Indian Country, acrylic on canvas board, 14×18 inches, framed sometime in August.  Artwork by Anishnabe artist Mark Seabrook.

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hmmm.  you see that rack up there on the wall, sporting the gas mask?  i asked the young lad tending, if it was an original Marc Adornato and the poor kid, clumsy about the waist, had no idea who i was talking about.  this being the town of Ottawa, with CBC and all, i would have thought he’d have been in the know.

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went to see it, at the Bytowne over in Spookyville, on Rideau St., the Friday night the picture came to town.  now i’m not sure what it was but i dozed off somewhere in the show and missed some of the kooky high jinx.  so i went back for the Sunday matinee, bright eyed and bushy tailed thinking i was going to see what i’d missed the first time but nope!  dozed off again.  i guess i’m getting tired of see non indigenous people talk so surely about indigenous subject.  i will say at the Friday night show, all the Grey Owls and Joseph Boydens were out in full force, wearing their pony beads and chokers and medicine wheel buttons!  from what i could see i was the only indian in the joint.

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oh yes i forgot to mention: i was inspired by the Mr. Adornato and so went up to the St. V. d P. on Wellington and found this gem:  from January 1975.  i think its acrylic, it is on canvas, about 18×22 inches, by a “F.lait”.  googled the name and up came a page from the obits.  on the back there is a title of sorts:  Sandy Hill Road, Ontario.  so this boy alive and here in 2019 is going to HACK this painting!  yes.  lets see what a free hand and an hour can do.  (i remember the summer of 1975, not so much the winter of…  )

i’ll post a picture when i have this bad boy tuned up, HACKED styled.  thank you Mr. A for a fun idea.

and thank you too, to a Mr. Jackson Pollock, for those fun ideas.

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Putting our Best Feet Forward.  the summer is over.  and i have missed it.  yes i did crash two cars coming back from my island paradise but total days out there were just 14.  well i enjoyed them and made the most of them.  August 11th remains in my mind, one of the best days of the summer and likely of the whole year.

 

 

SUN INFINITY MOON

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There it is!  With flash book marks to go with.  Wow!  Those folks at OJ Graphix in Espanola did it up nicely, quickly, and exactly.

Book launch, island style, will be this Saturday, July 20th, 7 p.m., at Huron Island Time, on the beach at Providence Bay.  Flash art show as well, and hopefully, live music by one of the great island musicians who we know, going back 45 years.

Here are a few sample pages:

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Opening 2 pages, Sun Infinity Moon, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to chapter 2, SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to chapter 3, SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

It is a short read:  just 250 pages:  perfect for the cottage on a summer afternoon.  Mind you it IS a horror story…

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Back cover, SUN INFINITY MOON, by anishnabe artist Mark Seabrook.  Copyright 2019.

It will be available on ebay soon!  Amazon to follow.  Book launch on the island this coming weekend and city book launch here in Ottawa coming soon.  So stay tuned!

Miigwetch!

Hit the PRINT button!

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My novel layouts arrived yesterday and they’re good to go!  This is a writing project darn near 24 years in the making!  This nit picky writer of course held it back numerous times but the real hold up was the fact that I didn’t have an ending…

That ending arrived in a dream way back in 017 and so here we are, ready to hit the PRINT button!  At last!!!  I’m calling them this morning at 9 and telling them:  Ship it!

Release party to be held soon!

Life in the Big City No. 2-07-06-019

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Walk way into the National Gallery of Canada on July 6th.  Inside: AC.  Outside: 39 C.  Did I ever tell you I will never say mission accomplished until I have something like this building, on 500 acres of the south shore, on the limestones of Manitoulin Island, with a view of the great Lake Huron?  Not as a gallery but as my personal crib!  (My old buddy Scott said:  how are you ever going to heat a place like this?  I said:  we’re only staying here for 6 months of the year! (Ha!))

I was at the gallery for the Gauguin Portraits exhibit:

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There she is!  Tehamana has many parents OR The Ancestor of Tehamana, 1893, oil on coarse fabric.  Tehamana is shown with flowers in her hair, holding a fan and wearing a contemporary missionary dress (those goddamn missionaries!) of the type introduced by European Christian missionaries.  Surrounding her are enigmatic spiritual referents: glyphs (taken from Easter Island tablets), a female figure (possibly Hina, the goddess of creation), and three hovering heads (spirits of the dead).  This portrait merges a colonial present with a mysterious, mythic past.  Those goddamn colonists!

Anyway.  I have been waiting my entire art life to see this painting in actual, up close.  We covered that base first thing yesterday.  “Self Portrait with Yellow Christ” was an also must see but in that section:  NO PICTURES allowed!  It was there!  And I spent a solid 20 with that one!

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Super heavy duty:  Melancholic (Faaturuma) 1891, oil on canvas.  One day I want to sail to Tahiti and visit those legendary Tahitian women.

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Young Christian Girl, 1894, oil on canvas.  Painted after Gauguin’s first sojourn in the South Seas, this work is an evocative synthesis of Breton and Tahitian imagery.  The economy of form and intense colour create a powerful sense of the spiritual.  The brilliant yellow cloth of the girl’s missionary dress fills the canvas, becoming a luminous embodiment of pure faith.  (words by NGC.)  Standard fare on any Art History curriculum!  I edited out the bit about those goddamn missionaries…

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twinravens on July 6th, markers on heavy paper, 2019, by anishnabe artist Mark Seabrook.  well at least for a day I can report that my original art DID hang on the walls of the great National Gallery of Canada!  (ha!)  They had an art station set up for anyone who wanted to fuss and I surely did!

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Ah yes:  the Great National Gallery of Canada.  It was along this way where I ran into the great Alex Janvier!  You’ll have to scroll back into this blog to read about that adventure!

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The Martyrdom of Father Brebeuf and Lalemant, c. 1843, oil on canvas, Joe Legare (1795-1855).  Saw this and wondered if a Mr. Kent M. was inspired by such things way back in his early days…  Slip some high heels on those Indians and BINGO!

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The Daffodil, 1910, oil on canvas, Laura Muntz Lyall.  First NGC purchase of an impressionist work by a woman!

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Boy with Bread, 1892-99, oil on canvas, Ozias Leduc.  Classic Canadian Art History fare.

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The Death of General Wolfe (detail), 1770, oil on canvas, Ben West.  Once again I saw this and started wondering about our old buddy Mr. Kent M.  Slip some Frederick’s of Hollywood 7 inch heels on that Indian and flipping BINGO!

IMG_8207Super heavy duty:  Renoir’s almighty from 1903.

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Mega:  Monet in 1903.

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Ultra!!!  Vin in 1886.

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Holy Smokes!!!  Matisse in 1926.  He too, stood the same distance away from that canvas! Wowza!

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This one rattled me.  That’s the super gorgeous Jennine as a 17 year old, shortly after she moved to Manhattan from Union City.  What struck me was the photo looked like it could have been photographed earlier in the week, yet here we are in 2019, and Jennine is long gone, dust and bones.  It reminded me of what the great old lady:  Jean Hodgson of Mindemoya, once told me, back before 1994:  Don’t be anyone but yourself.  And it also reminded me of what the great Jack Seabrook once said to me way back before 2002:  Don’t be putting things off to tomorrow.

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Yes, I will not say Mission Accomplished, until I have a building like this on that 500 acres, on the south shore, Manitoulin Island, as my personal crib.  That’s on the walk way out.

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Mother and Child, 60’s Scoop Survivor, acrylic on canvas, 36×48 inches, by anishinabe artist Mark Seabrook.  On display at the Atomic Rooster, Bank Street, Ottawa.  The Atomic Rooster is NOT a lounge at the National Gallery of Canada, ha!  Priced to sell:  $3200.

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I Miss You, acrylic on canvas, 18×24 inches, by anishinabe artist Mark Seabrook.  Also on display at the Atomic Rooster.  $500

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The Green and Blue, mowed trail back home, thousands of acres, by anishinabe artist Mark Seabrook.  Priceless.

Even though the farm back home is indeed a work of art, it is a work of genius, a paradise on earth, in a place with zero light and noise pollution, and something imagined and realized, there is another place too, in the imagination…

Here is the video from yesterday’s walk through.  Be warned:  it is a full ten plus minutes.

 

art work by Mark Seabrook

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“Power Bird”, acrylic on canvas, 24×36 inches.  Private Collection.

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“Power Bird, 2018”, acrylic on canvas, 22×28 inches.  Private Collection.

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“Woodlands at New Moon”, acrylic on canvas board, 18×18 inches.  Private Collection.

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“Bear Clan”, acrylic on canvas board, 18×24 inches.  Artist Collection.

A Self Portrait on November 30th by Mark Seabrook

“A Self Portrait on November 30th”, acrylic on canvas, 36×48 inches.  Private Collection.

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“Anishnabe at Full Moon”, acrylic on canvas board, 18×24 inches.  Artist collection.

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“Feeding the Wolves”, acrylic on canvas, 36×48 inches.  Private collection.

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“Tehkummah scenes”, acrylic on canvas board, 8×10 inches.  Private collection.

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“Tehkummah Scenes”, acrylic on canvas board, 7×9 inches.  Private collection.

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“For Missing and Murdered Indigenous Women”, Acrylic on canvas, 36×58 inches.  Artist collection.

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“For Missing and Murdered Women”,  Acrylic on canvas, 30×40 inches.  Artist collection.

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“Tehkummah scenes”, acrylic on canvas board, 7×9 inches.  Artist collection.

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“Tehkummah scenes”, acrylic on canvas board, 7×9 inches.  Artist collection.

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“Joe Boyden meets Grey Owl”, Bic pen on sketch book paper, 8×10 inches.  Private collection.

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“Stacie from Malibu, Fancy Shawl Dancer”, Sharpie marker on 65 pound paper, 8.5×11 inches.  Artist collection.

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“Power bird”, acrylic on canvas board, 7×9 inches.  Private collection.

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“Anishnabe portrait”, Sharpie marker and ball point pen on bristol board, 18×24 inches.  Artist collection.

And many more of course, email me if you’d like to see others that ARE available, we ship anywhere!

Miigwetch and Happy Canada Day.

a place of peace!

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the road to home:  we’re back on the island, in our hideout paradise!  it is a glorious time to be out here, in with the green and blue!  what love!

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young love birds:  ah yes, there is a lady in the house!  thank goodness for her!  when you’re in paradise with some good company everything is wild roses.

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Happiness is Big Bucks!  5×7 inches, acrylic on canvas board, by anishnabe artist Mark Seabrook.  found the frame at the goodwill, doctored it up and boom!  i like that one.

we’re back in the slab first thing tomorrow:  back in the art battle!  but this one is over at the Museum of something or other, across the river in Hull or whatever they call it these days.  anyway:  i believe it is an all indigenous art battle!  we’ll let you know how that one goes.  but first we are going to max our day here on the land:  blue skies and green grass, a river and a black bikini!

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there is plenty of time for more of this!  (we can make that drive to the city through the night: no use in spending a day in the car as far as i’m concerned!  lets do that one at night!)

 

Life on the Road

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Somewhere along the 401, west bound, before sunrise on June 22: This is at one of those OnRoute rest areas, open all night and good thing as this boy usually hits the open road around midnight.  Didn’t get on it until around 1 a.m. though, leaving Ottawa while the party was still in full service whoop!

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At Alexandra Park, downtown Orangeville, Ontario, Canada, June 22, 9 a.m. Saturday morning:  a beauty park for an Indigenous Day celebration, art show and sale.

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Super Heavy Duty:  at Alexandra Park, Saturday morning:  walking around the almighty.  Seeing that place name at that hour of the day on that fine morning sure made this anishnabe boy stop and think.

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At the Gala, in Ottawa, Thursday night, June 20th:  silent auction in progress.  That is a Mark Seabrook/twinravens authentic, up for grabs and it went!  It’s 24×36 inches on canvas, Stevenson paint on Canadian made canvas/stretcher.  We put those big colourful plants in there as a reminder there is medicine growing all around us, right there in our own backyards…

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At the Gala, in Ottawa:  Fancy Shawl Dancers getting ready to make their entrance.  They put on a grand show at the Gala and I’m glad I went!

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Petroglyphs Provincial Park, near Peterborough, Ontario, on June 16th: Father’s Day on the road.  The gals were going in a diff direction so I started out on my own and found myself out here.  Not many visitors on that day, so I made my way out there without a fuss.  The Parks folks won’t allow any photos of what’s in there so here are a few from Google:

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If you’re interested you can check out the story for yourself but I’ll just say that the date these made the news was in 1951, the same year the Sheg. thing up on the island made the news, and also the same year the Government of Canada made it legal for First Nations people to practice their own cultures once again.

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Super Heavy Duty:  check out that figure at top, who appears to be waving hello/good bye/who knows…

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Its that figure connected to the circular piece with the radiating lines that I wanted to get up close to and personal with.  Same with that large bird with the long legs.  Large alright:  these are huge pictures!  That bird is huge!

Like I said:  I was the only visitor in there and so walked around the area in the assigned walking areas, up above and separated from the rock surface.  I went around a couple of times, thinking, if I could just get down there in next to them, that would be amazing.  The young lad working the door was reading my mind!  He asked me where I was from and was I First Nations.  After I answered his questions using that twinravens accent, he said I could go in!  He soon produced a smudge bowl, some sage, and a form I had to fill out covering the who, what, where, when and why stuff.  The why:  Anishnabe, Spiritual Journey, Survivor of Colonialism.

While I was smudging down he opened the gate and said its all yours.  WOW!  I went in there with my sock feet touching down on the sacred, and man oh man, this fella could feel the almighty, loud and clear.  They had a ceremonial place just inside the gate, with tobacco on some stones and water in a copper bowl, so I went through the rituals on my own before I went in any further.  Thank goodness for that stuff.

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Now this boy has had the good fortune of reaching, here and there on this good land we call Canada.  Here we are on the sands, south shore of Manitoulin Island, Lake Huron close by, at sunset, in some long ago August.

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Here we are in the fields back home, Mindemoya, Manitoulin Island, the fields where I was raised and the fields I worked with my dad at the front.  This is in some long ago July, at sunset.

alone at Carter's Bay in a long ago summer time

Every now and again those hands manage to land:  here we are on the limestones at Carter’s Bay, south shore of Manitoulin Island, in some long ago afternoon in August.

These hands managed to land right on that character with the line connecting to the circular design.  And it landed on the bird with the long legs!  It landed on a bunch of them!

I wish I had the words to describe all of what was going on between me and those magical pictures, created so many moons ago.

What I can say for sure: it was breath taking.

I walked out of there, maybe knowing something differently.  By the time I was walking out of there, other visitors had arrived and I was aware of them watching me going through my own rituals.  As I was coming back through where the ceremonial tools were placed a tourist asked me:  What are those yellow and red things there on that rock?  I said they were tobacco ties left by others.

Super Heavy Duty visit.

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Check this out:  on the walk out I came across this turtle on the path.  Now I know it wasn’t there on the walk in because I would have seen it.  But it was there on the walk out.  Look at what it’s doing.  And do you know what the turtle is in old Anishnabe stories?

Holy smokes!

What a day, what a visit, and what sights to be seen.  What a Father’s Day indeed.

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Sixties Scoop Survivor with Child, acrylic on canvas, 20×30 inches, by anishnabe artist Mark Seabrook.

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Ravens hitching a ride, acrylic on canvas, 24×36 inches, by Anishnabe artist Mark Seabrook.  Private Collection.

We have plenty more paintings to make, and places to go!