Posts tagged ‘art shows’

Paintings by Mark Seabrook

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Power Bird, acrylic on canvas board, 18×24 inches, by anishnabe artist Mark Seabrook.  Available for purchase as of Oct. 3/019.

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Power Bird No. 5, acrylic on canvas board, 9×12 inches, by anishnabe artist Mark Seabrook.  Available.

I have to admit I’m having fun with these pieces in frames!  Normally we sell them as unframed canvas boards but I decided to switch things up last summer, and so here we are in October with a sizeable collection, getting ready for that show in November!

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Power Bird No. 6, acrylic on canvas board, 8×10 inches, by anishnabe artist Mark Seabrook.  Available.

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Tehkummah Scenes, acrylic on canvas, 8×10 inches, from the original run in 2013, artist collection.

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Twinravens, Winter Scenes, acrylic on canvas board, 5×7 inches, by anishnabe artist Mark Seabrook.IMG_8998

Tehkummah Scenes, acrylic on canvas board, 5×7 inches, by anishnabe artist Mark Seabrook.  Available.

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Big Bucks!  Acrylic on canvas board, 5×7 inches, by anishnabe artist Mark Seabrook.  Available.

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Power Bird, acrylic on canvas, 8×10 inches, by anishnabe artist Mark Seabrook.  Available.

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Visiting from Over Seas, acrylic on canvas board, 14×18 inches, by anishnabe artist Mark Seabrook.  Available.

We ship anywhere.

And so yes:  I’m having some fun here framing up these new pieces and going through the collections, framing up a few of the war horses, pieces I just couldn’t part with, playing with a new look.  And it IS fun.  We’ll be ready for that show in November!

 

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a Walk Around the Block

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Deer Clan sketch, 7×9 inches, acrylic on canvas board, February 019.  Folks we are getting close to saying good bye to Stevensons Brand acrylic paint…

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Black Cat and a Raven, sketch, 9×12 inches, acrylic on canvas board, February 019.  Based on a true story too!  Back on the range, one autumn afternoon many moons ago, good old “Whitey”, the cat with blue eyes, climbed a very tall tree out by the waterfalls and yup:  along came a few crows.  I switched out the crows for a raven.

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I thought she was holding out on me.  Turns out…  what I thought was a roll of 20 dollar bills, ready for our trip to the downtown yesterday, was nothing more than dog poop bags…

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Nice work!  At the “How to Breathe Forever” show, Onsite Gallery, 199 Richmond St. W., Toronto.  “Onsite Gallery offers powerful, thought-provoking exhibitions of art, design and new media to stimulate conversations on critical issues facing Toronto and the world.”  (Corporate pitch just inside the door)

Also just inside the door:  “OCAD University acknowledges the ancestral and traditional territories of the Mississaugas of the New Credit, the Haudensaunee, the Anishinaabe and the Huron Wendat, who are the original owners and custodians of the land on which we stand and create.”

I got to thinking: folks around here (Toronto) have better luck seeing an Indian on the skids, half snapped on Boone’s Farm, up there on University and Queen, than a live beaver, which of course is on a useless nickel.

As for the artwork, speaking of beaver, it was created by an artist from Waskaganish!  I didn’t see the details on the cards but I’m guessing they are a student at OCA.  Nice work, beadwork too.  I wonder how they’re liking the big leagues of downtown, a far stretch away from the mighty woods just east of the James Bay.

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Ink, colouring pencil on super duper high end paper, unknown North Country artist, Onsite Gallery.  The show runs to April 14th so you still have time!

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A genuine fake Norval Morrisseau, front window, unknown gallery just east of Onsite Gallery, Richmond St., Toronto.

They’ve got the scam artists front and centre in this swank place!  You can bet two Indian Head nickels that a fella like me, actual and authentic, and an active artist, couldn’t get through the front door with his work, into this joint.  You can also bet two more of those nickels that the folks in here don’t sport the same pitch as the OCA guys when it comes to the “acknowledges the ancestral and traditional territories of…” bit.  As in: if I were to walk in there and question said phoney in the picture above, how long before they’d be dialling up security to “escort this ‘gentleman’ to the door…”?

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“Indian Residential School Blues”, 36×48 inches, acrylic on canvas, by Anishnabe artist Mark Seabrook.  (alive and active, authentic too!)  Here at twinravens.com we aim to cause a fuss.

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Acrylic on Canvas board, 9×12 inches

Ah yes…  a twinravens landscape, going back to the mighty ranges just west of the town of Tehkummah, Ontario, Canada.  (We also aim to go above and beyond the woodlands!)

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Mark Seabrook, outside J.E.H. MacDonald’s house, Thornhill, Ontario, Canada, last spring, before the Scotland gig.  I knocked but Jimmy Boy wasn’t home.  (I could have passed myself off as one of the “Indian Group of Seven”, ha!)

Well this old Anishnabe boy and artist keeps rolling along, paints and brushes at the ready.  Maybe some day I’ll have my name on a window in Toronto, announcing a twinravens show, with folks waiting in line, hoping to meet the artist.

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From August 2, 2018, on Dundas St. E.  Beauty day and evening in the city.

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At his studio way back on June 20, 2017.  Did I ever tell you the story about seeing his fancy give away doctorate paper work from OCA?  It was there at his studio, in an amusing display space!

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Rubbing shoulders with the famous:  that is the mighty Jen B., lead singer of the great Anishnabe rock and roll band:  No Reservations, on July 6, 2017 (back stage, a half hour before show time!).  Not only is she a classic rock and roll vocalist and show woman, but she’s a super talented First Nations visual artist as well.  Hopefully we’ll cross paths again, sometime soon!

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Speaking of great First Nations artists: The great Jazzy Moon, on the last evening of summer holidays, Labour Day Monday, September 2, 2013  It was just me and Jazzy Moon left on the beach, Providence Bay, Manitoulin Island, the night before the start of Grade 6.  We had the beach to ourselves and the swings too, the sand, the water and the sky.

You see I’m a father who stayed pretty close to his daughter.  I was there when all those important things happened.  But here today, March 10, 2019, I am up here on the swanky 9th, Markham, Ontario, Canada, and she is in Paris, France, viewing up close and personal the likes of the Mona Lisa, the tower and the cathedral.  How I wish we could have seen it together.

(There should be some ceremonial or ritual thing for us old boys whose daughters are powering up to fly away.)(Empty nest looming like never before…  )

Found Poetry

Wednesday, Feb. 20th, 6:30 p.m., hosted by the Morning Owl Coffeehouse+Parlour, 229 Armstrong Street, Ottawa.  All art supplies provided, hard cover book too, plenty to choose from!  Sharpie markers on hand, ball point pens, maybe some acrylic paint but most importantly:  YOU!  The artist/writer.  Take a scroll back into the blog (wrote “bog” the first time around, ha!) to before Xmas and you’ll see my found poetry exercise, Book 1, with blue/green cover.

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Book 1.  October 16 to November 25, 2018.  340 pages of found poetry, painting, drawing, song playlist, and journal.

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Book 2, pages 118 and 119, Feb. 12, 2019.  Found poem:

“and still don’t”

it was nightfall when i woke
the heat of the world was different
a naked heat
a candle whose odd illumination
expanded the universe for me
Why? i asked
we sat in silence for a long time
she had sand and leaves in her hair
her precious stones of sleep in her hands
wonderful pearls and rainbow coloured stones of light
i didn’t understand…

Ah yes.  Found poetry.  Truth is I never would have dreamt up such a combination of words, and so!  This found poetry exercise could be fun and I hope to see you on Wednesday night!  We can give it a go together and see what we can find.

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Mask making on January 29th:  a “never miss, never fail” art making exercise.

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A Valentine’s Day card made to last!  Acrylic paint on canvas board, 7×9 inches, painted on Feb. 13, 2019 and delivered on the 14th, with sweet love words written on back.

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Came across this bizarre collection of short stories and paintings, by Malcolm Edwards and Bob Holdstock, illustrations by “Young Artists”, c. 1979, over at the goodwill on Montreal Road, while on the snoop for hardcover books with quality paper for the found poetry exercise.  This is only the 2nd copy of this book I’ve seen in all my travels.  Back in 79, when I was a snot nosed early teen, running the outback and jungles of Mindemoya, Manitoulin Island, Ontario, Canada, my mom gave me a copy of this book, either for Xmas or a birthday present.  She knew I was heavy duty into the visual arts and a sailor’s coil for late 70’s movie sci fi.  She also knew I wasn’t much for reading big blocks of text, if you know I mean.

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It was this bizarre picture that caught my attention, back in 1979.  On the following page was a brief, sci fi description of what was supposedly going on:  Earthling in a heavy duty space suit examining washed up alien carcass on sunny beach, distant world.

Yeah man.  I looked at this one for a long time.  I wondered who that dude was, inside that flashy outfit.  I wondered who those weird little characters were, bringing up the rear, and I especially stared out the big farm house windows wondering what that big alien carcass was, and how big and deep could those far away oceans be, on that distant, other world…

You see we had a beach on the south shore of Manitoulin Island, down there on Carter’s Bay.  We used to call the place:  The Sand Dunes, and it kind of looked like what I was seeing in this painting.  I spent a few summer afternoons back in those days (this was in the time before “THE BIKINI”), walking down that beach, imagining I was the dude in the flashy space rig, wondering what big creatures could be swimming in the great and mighty Lake Huron of the late 1970’s.  Even though my 1979 mind was as big as the “surprise” in a Cracker Jack Box, I started dreaming up and in secret, started writing my own little sci fi story, on loose leaf paper which I stowed in my little rat’s nest of a bedroom, windows facing east.

One day, not sure when, but one of my so called “friends” was in there, back in our Monopoly/Yahtzee days, he found my little manuscript and gave it a read.  He burst out laughing, snorting and wheezing, going on about how it was the stupidest thing he’d ever read and the only place for a story like that was the garbage can…

Well that did it.  I went back to hiding in the jungles.

All these years later, of course its completely clear that my so called friends from 1979 and I were no different than the characters seen in the Dawn of Man sequence in “2001: A Space Odyssey” and it was super stupid of me to toss my space ace spy thriller.  Duh.

So much for the sci fi adventures of Buzz Buzzard, rogue army captain turned pirate space captain…

Ah the things you see at goodwill…

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Not found at goodwill:  unknown painting title, unknown artist, acrylic on canvas, possibly 24×24 inches, on display at the Atomic Rooster, Bank Street, Ottawa, on December 11, 2018.  I need more $$$ in the acquisitions budget!

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Another beauty at the Atomic Rooster, December 11, 2018.  Unknown title, unknown artist.  I think that one’s oil on masonite but I’m not 100%.  Yes…  we need a lot more $$$ in the purchasing department.

 

A Day at the AGO

spent a glorious morning and much of the afternoon at the Art Gallery of Ontario, November 21, 2017, going for one reason only:  to see Norval Morrisseau’s 6 panel “Man Changing Into a Thunderbird”, acrylic on canvas, 1977.  last time i saw it was at the National Gallery of Canada, 2006, and the time before that, in the book: The Art of Norval Morrisseau, 1979.  of course the book, filled with colour plates, is one thing, seeing the actual, is completely another.

so off i went on the Go Train to Union Station, subway to Yonge and Dundas, and on foot to the gallery.  without fussing with the collection i asked the lady at the front to walk me to the room where the Morrisseau paintings were hanging.

it’s an awesome thing for this Anishnabe boy to see these giant paintings:  Norval M. IS the founder of the Ojibwe Woodland School of Painting and the making of Man Changing Into a Thunderbird is a classic rock and roll story about art and art making.  my question, after viewing the work for a few hours yesterday, is:  What brand of acrylic paint did N.M. use to create this work?

pretty soon a class of high school students were brought in with the “native interpreter”, a very Indian dude about my age, sporting a long braid.  so i thought i’d stand back and listen to him make the pitch with him asking these kids, who he’d obviously lost by this point in time, why is this art work important?  boy oh boy he was plum off the map!  he wasn’t even in the ball park!  it’s pretty clear he hadn’t done his homework on this one.

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here is a photo with some kids in the shot, to give you some idea how big these paintings are.

after a few hours with the pieces i decided to boo through the rest of the gallery and see what they had.  it wasn’t long before i heard Erik Satie’s Gymnopedies:

(i’ve never been to Paris so this is pretty much “Once Upon A Time in Tehkummah” for me, switch out the beautiful Edouard Cortes paintings for some “range scenes”)

i thought i was hearing a soundtrack for an installation so i followed the sounds and found myself at the entrance to Guillermo, “Del Toro: At Home With Monsters”, an exhibition of his collections, films and notebooks.

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“Del Toro: At Home With Monsters”

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“At Home With Monsters”

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“At Home With Monsters”  (how would you like to have that thing sitting in the living room, over the fireplace, when the power goes out…  )

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“At Home With Monsters”  (is that Edgar Allan, giving you know who, a reading?)(those windows were live:  they had the thunder going, the rain on the glass, the trees moving with the breeze:  ultra spooky!)

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“At Home With Monsters”  (hmmm…  )

so anyway:  i’m walking around in there, eyes wide open, ears too because i’m hearing some of my favourite solo piano music and check this out:

WOW!  there is the source of the music:  a young and spooky looking whippersnapper on a black baby grand!  mega WOW!  i LOVE the music but i love it even more when i see it happening right there in front of me!  now hey, that really made my day, right there.  and so i stayed on, enjoyed the beautiful sounds coming up and out of that baby grand.  nice work!  and i said so, to the kid.

well you can’t have too much art in one day.  so i’ll come back tomorrow with Chapter 2:  Mark’s Day at the AGO.

paintings by Mark Seabrook

we’re going down memory lane this morning in the art department, looking at some of my work with the question in mind:  What makes art Canadian?  we’re asking after attending last night’s sleepy little outing to the Isabel Bader Theatre, Charles St. West, Toronto, where the Art Canada Institute gave their mission statement a stretch!  the ACI is dedicated to making Canadian art history a contemporary conversation.  in with last night’s conversation, a gal made her presentation on Norval Morrisseau, creator of the Woodland School, and his place in all of this.  of course what caught my eye in the promo was a detail of Morrisseau’s Man Changing Into a Thunderbird, panel 1 of 6.  (that’s the work that sparked my imagination way back in art school!  (even though i came up on Manitoulin Island and the second generations of woodland school painters were everywhere and you couldn’t drive 10 miles without seeing their stuff, courtesy of the Ojibwe Cultural Foundation))

A Self Portrait on November 30th by Mark Seabrook

“November 30th”, 2008, 30×40 inches, acrylic on canvas, Private Collection.

Bear Clan with White Raven

“Bear Clan”, 2011, acrylic on canvas board, 18×24 inches, Artist Collection.

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“Water Spirit”, 2014, acrylic on canvas, 24×36 inches, Private Collection.

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“2 Wolves, Feeding”, 2009, acrylic on canvas, 36×48 inches, Private Collection.

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30×30 inches

“Missing and Murdered Indian Women, No. 1”, 2015, acrylic on canvas, 30×30 inches, Private Collection.

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For Missing and Murdered Aboriginal Women, Acrylic on canvas, 36×58 inches

“For Missing and Murdered Aboriginal Women”, 2015, acrylic on canvas, 36×58 inches.  Sale price:  $4 000.

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Acrylic on canvas, 30×40 inches

“For Missing and Murdered Women”, 2015, acrylic on canvas, 30×40 inches.  Sale price:  $3 800.

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“Indian Residential School Survivor, No. 1”, 2017, acrylic on canvas, 30×40 inches.  Sale price:  $3 800.

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“60’s Scoop Survivors: Lost child, lost parent”, 2017, acrylic on canvas, 20×40 inches.  Sale price:  $2 800.

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“I.R.S. No. 1”, November 2017, acrylic on canvas board, 7×9 inches.  Sale price:  $200.

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“I.R.S. No. 2”, November 2017, acrylic on canvas board, 7×9 inches.  Sale price:  $200.

Original artwork by First Nations and Anishnabe painter:  Mark Seabrook, Manitoulin Island (which is right here in Canada!).

 

Venus Envy, Filthy Dirty Art Show

Next stop:  Venus Envy on Bank Street, downtown Ottawa.  The ever popular Filthy Dirty Art Show opens on Saturday night, March 4th.  Lets go down memory lane…

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“untitled”, 5×7 inch photograph

Sunny boy, indio style was one of the photographs we had on display at the last show.  We should have Kent Monkman’d this one up a bit, might have gotten further with it!

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“untitled”, 5×7 inch photograph

High Heels and Big Hopes, another of the photographs we had on display.

Well I liked the photographs!  (We brought all 3 of them home from that one…  )

I had a solo show at VE, back in June 2014, and here are two of the main pieces:

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MIA, 30×30 inches on canvas

Missing In Action, 2014, mixed media on canvas, 30×30 inches, private collection.  Concerning the Murdered and Missing Indigenous Women and before the MMIW Inquiry.

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KIA, 30×30 inches on canvas

Panel 2:  Killed In Action, 2014, mixed media on canvas, 30×30 inches, OCSB collection.  Heavy duty…

But we shall return on March 4th with some new paintings, switching gears from the heavy to the light.  I hope to see you there!