Posts tagged ‘First Nations writers’

September 11, 2019

oh the dates in history…  i remember it well 18 years ago:  we were deep deep deep in the bush, far from any radio, TV, internet, completely unaware of what was happening south of us.  as far as i could see on that morning:  the big woodland skies were blue, the land was filled with greens and the waters were dark and mysterious, the sand was warm to the bare feet.  our jungle gear was brand new, untested, like us.  i managed 7.5 years in that jungle, but my gear was pretty much worn out by the time i came back.  i think i came out of there in November 2008, darn near crawling on my hands and knees!

but as my old buddy Sallah would say:  life goes on Indy!

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we’re getting ready for a reprint of Sun Infinity Moon!  now…  yes.  i do know there are some spelling errors and layout problems in the first run.  the folks at the printers gave my project to some junior whoever, not sure how new they were to the layout position but anyway the man in charged assigned the young lad and away we went.  the problem of course is we were in a time crunch situation.  we had booked our little release party for July 20th, and there i was still fussing with the writing of it, on the morning of July 2nd, WHEN we sent it to the printers.  as far as i was concerned, when i saw those layout problems within the text, in particular, the business of paragraph indents, in the e version proofs, i was okay to run with as time really was running out.  (we had already missed a dozen deadlines.)

how i did not see:  “course language”, on the cover, i do not know.

where we really in that much of a time crunch that i missed that?  well anyway there are only 150 of them out there with that on the cover, so if you have one, you have the collector’s edition.  when we had the little release party we joked that yes, it is course language, university course language, not meant for high schools…  (ha!)

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Beaded Dreams, on Bank Street, just north of Gladstone, in Ottawa:  i dropped off a fresh bundle of books to these good folks so if you’re in the area, you can get your collector’s edition, first run copy of SUN INFINITY MOON over there.  same with Huron Island Time down on Providence Bay Beach although i imagine these days, this far into September, things might be a little slow in downtown P.B.  now sure of the hours they might be keeping.

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The Atomic Rooster, Bank Street, Ottawa:  the show is still up but your chance will soon be gone to see “For MMIWG” by anishnabe artist Mark Seabrook, up close and personal.  the canvas is 36×60 inches, Stevensons acrylic, and after this show, that painting is going into the Artist Collection, never to be seen in public again!

that is the great Peter Purdy’s artwork hanging next to mine.  title unknown, price unknown, 36×48 inches or there a bouts.  First Nations artwork.

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Mother Earth sketch, acrylic on canvas board, 18×24 inches, by anishnabe artist Mark Seabrook.  we continue to play with the idea.

Found Poetry:  The Clone Trees, as read by anishnabe artist Mark Seabrook.  The Found Poetry idea has been a lot of fun, we’re coming up with some mighty strange poems and artsy little books.  The starting point is of course you take a hard cover book from the goodwill, one with quality paper, toss the paper cover, and go to work:  much like you see here with the Clone Trees.  A book of found poems can be pretty telling as the days go by: it is not a quick fix project, book 3 was started in early May 2019 and finished just last week.  Very telling indeed…

Book 4 is in the works.  Fun stuff, crafty, artsy, and one of a kind.  And oh yes:  you’re suppose to pick a book with a title that says it all for you…

Let me know how it goes.

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Book Review by Steve McPhail

SUN INFINITY MOON
a novel by
Mark Seabrook

“Mark Seabrook” is a renaissance artist from the “Sagamok Anishnawbek First Nation”, also known as “Many Rivers Joining-Human Beings”. Sagamok’s culture and language is “Anishinabek” / “Anishinaabemowin” and is made up of the Ojibwe, Odawa and Pottawatomi bands. (The Sagamok reserve is approximately 120 kilometres west of Sudbury, Ontario.) I first became aware of Mark’s brilliant “Woodland” style of painting at the “Providence Bay Harbour Centre” on Manitoulin Island, where his work illuminates the walls of the “Huron Island Time” ice cream parlour.

“Contemporary Canadian native artists have produced three major schools – ‘Westcoast art’, ‘Inuit art’ and ‘Woodland art’. All three have been based on ancient traditions that, despite the persistent and pervasive forces of acculturation, have endured to the present day. The woodland style developed as a direct result of the imagery ‘Norval Morrisseau’ brought forth into the world in the early 1960’s. Despite censure from elders in his community, he chose to make public the spiritual concepts inherent in the ‘Midiwewin religious society’. Common to contemporary and prehistoric traditions is the prevalence of images of ‘transformation’: representations of a man or an animal being two life forms at the same time.” – (http://www.native-art-in-canada.com/woodlandart.html)

For the record, “Midiwewin” is a religious society made up of spiritual advisors and healers, known as the “Mide”. The Mide serve as spiritual leaders for the general populace. They perform religious ceremonies, study and practise sacred healing methods and strive to maintain a respectful relationship between humanity and Mother Earth.”
– (https://www.thecanadianencyclopedia.ca/en/article/midewiwin)

Though Mark Seabrook is no stranger to expressing himself in the written word, as a musician, poet and playwright, only recently has he released his first novel, “Sun Infinity Moon”. Much like his brilliant work in the visual arts, Mark reveals the story of a narrator’s “recapitulation” of his memories of childhood friends on Manitoulin Island, in a non-linear manner. (“Recapitulation is a core shamanic technique used to heal emotional charges. On a deeper level, it is used to reclaim energy and return it to one’s self.” – (http://toltecnagual.com/toltec-tools/the-recapitulation)

Whether these various characters are different people, or aspects of the narrating character’s fragmented personality, is up to interpretation. On the book cover is the warning: “contains course language, violence and sexuality”. Whether the reader identifies as Indigenous or not, take no offence at the harsh and humorous collage of scenarios depicted. As one follows the narrator’s struggle through his personal transformation to regain his “Indigenous soul”, consider the act of visualizing this story a personal shamanic journey.

Derek Stephen McPhail

Providence Bay

SUN INFINITY MOON

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There it is!  With flash book marks to go with.  Wow!  Those folks at OJ Graphix in Espanola did it up nicely, quickly, and exactly.

Book launch, island style, will be this Saturday, July 20th, 7 p.m., at Huron Island Time, on the beach at Providence Bay.  Flash art show as well, and hopefully, live music by one of the great island musicians who we know, going back 45 years.

Here are a few sample pages:

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Opening 2 pages, Sun Infinity Moon, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to chapter 2, SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

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Opening 2 pages to chapter 3, SUN, by anishnabe artist Mark Seabrook.  Copyright 2019.

It is a short read:  just 250 pages:  perfect for the cottage on a summer afternoon.  Mind you it IS a horror story…

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Back cover, SUN INFINITY MOON, by anishnabe artist Mark Seabrook.  Copyright 2019.

It will be available on ebay soon!  Amazon to follow.  Book launch on the island this coming weekend and city book launch here in Ottawa coming soon.  So stay tuned!

Miigwetch!

Saturday morning in Ottawa

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she won’t be happy until she scares the living CRAP outa me…  (i’m putting the icing on a novel project and here we are now, this morning, with a brand new idea for horror…  )(where did THAT come from?!!!)

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waiting at the diner in Westboro, hoping she will show, Friday night, an artist in the city, alone as usual…

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“Afraid to Wake Up”, acrylic on canvas, 22×28 inches, from September 13, 2000.  Private Collection.  (so nice to see you again my friend, so much has happened since September 13, 2000 man.)

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Found Poetry Book 2, started on December 20, 2018 and finished on May 9, 2019!  an enjoyable project, telling too!  i thought i was finished with the idea, Found Poetry: repurposing hard cover novels from the goodwill but the other day i came across a brand spanking new, never been opened copy of Robertson Davies, The Cunning Man.  i guess it was too well written for someone!  i grabbed that one off the shelves for 2 bucks and we’ll see what we can do with Bill’s flash words, the quality paper of 1994, and an Anishnabe’s wild and unruly hand of savagery!  go Daddy!