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Walk way into the National Gallery of Canada on July 6th.  Inside: AC.  Outside: 39 C.  Did I ever tell you I will never say mission accomplished until I have something like this building, on 500 acres of the south shore, on the limestones of Manitoulin Island, with a view of the great Lake Huron?  Not as a gallery but as my personal crib!  (My old buddy Scott said:  how are you ever going to heat a place like this?  I said:  we’re only staying here for 6 months of the year! (Ha!))

I was at the gallery for the Gauguin Portraits exhibit:

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There she is!  Tehamana has many parents OR The Ancestor of Tehamana, 1893, oil on coarse fabric.  Tehamana is shown with flowers in her hair, holding a fan and wearing a contemporary missionary dress (those goddamn missionaries!) of the type introduced by European Christian missionaries.  Surrounding her are enigmatic spiritual referents: glyphs (taken from Easter Island tablets), a female figure (possibly Hina, the goddess of creation), and three hovering heads (spirits of the dead).  This portrait merges a colonial present with a mysterious, mythic past.  Those goddamn colonists!

Anyway.  I have been waiting my entire art life to see this painting in actual, up close.  We covered that base first thing yesterday.  “Self Portrait with Yellow Christ” was an also must see but in that section:  NO PICTURES allowed!  It was there!  And I spent a solid 20 with that one!

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Super heavy duty:  Melancholic (Faaturuma) 1891, oil on canvas.  One day I want to sail to Tahiti and visit those legendary Tahitian women.

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Young Christian Girl, 1894, oil on canvas.  Painted after Gauguin’s first sojourn in the South Seas, this work is an evocative synthesis of Breton and Tahitian imagery.  The economy of form and intense colour create a powerful sense of the spiritual.  The brilliant yellow cloth of the girl’s missionary dress fills the canvas, becoming a luminous embodiment of pure faith.  (words by NGC.)  Standard fare on any Art History curriculum!  I edited out the bit about those goddamn missionaries…

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twinravens on July 6th, markers on heavy paper, 2019, by anishnabe artist Mark Seabrook.  well at least for a day I can report that my original art DID hang on the walls of the great National Gallery of Canada!  (ha!)  They had an art station set up for anyone who wanted to fuss and I surely did!

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Ah yes:  the Great National Gallery of Canada.  It was along this way where I ran into the great Alex Janvier!  You’ll have to scroll back into this blog to read about that adventure!

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The Martyrdom of Father Brebeuf and Lalemant, c. 1843, oil on canvas, Joe Legare (1795-1855).  Saw this and wondered if a Mr. Kent M. was inspired by such things way back in his early days…  Slip some high heels on those Indians and BINGO!

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The Daffodil, 1910, oil on canvas, Laura Muntz Lyall.  First NGC purchase of an impressionist work by a woman!

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Boy with Bread, 1892-99, oil on canvas, Ozias Leduc.  Classic Canadian Art History fare.

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The Death of General Wolfe (detail), 1770, oil on canvas, Ben West.  Once again I saw this and started wondering about our old buddy Mr. Kent M.  Slip some Frederick’s of Hollywood 7 inch heels on that Indian and flipping BINGO!

IMG_8207Super heavy duty:  Renoir’s almighty from 1903.

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Mega:  Monet in 1903.

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Ultra!!!  Vin in 1886.

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Holy Smokes!!!  Matisse in 1926.  He too, stood the same distance away from that canvas! Wowza!

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This one rattled me.  That’s the super gorgeous Jennine as a 17 year old, shortly after she moved to Manhattan from Union City.  What struck me was the photo looked like it could have been photographed earlier in the week, yet here we are in 2019, and Jennine is long gone, dust and bones.  It reminded me of what the great old lady:  Jean Hodgson of Mindemoya, once told me, back before 1994:  Don’t be anyone but yourself.  And it also reminded me of what the great Jack Seabrook once said to me way back before 2002:  Don’t be putting things off to tomorrow.

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Yes, I will not say Mission Accomplished, until I have a building like this on that 500 acres, on the south shore, Manitoulin Island, as my personal crib.  That’s on the walk way out.

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Mother and Child, 60’s Scoop Survivor, acrylic on canvas, 36×48 inches, by anishinabe artist Mark Seabrook.  On display at the Atomic Rooster, Bank Street, Ottawa.  The Atomic Rooster is NOT a lounge at the National Gallery of Canada, ha!  Priced to sell:  $3200.

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I Miss You, acrylic on canvas, 18×24 inches, by anishinabe artist Mark Seabrook.  Also on display at the Atomic Rooster.  $500

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The Green and Blue, mowed trail back home, thousands of acres, by anishinabe artist Mark Seabrook.  Priceless.

Even though the farm back home is indeed a work of art, it is a work of genius, a paradise on earth, in a place with zero light and noise pollution, and something imagined and realized, there is another place too, in the imagination…

Here is the video from yesterday’s walk through.  Be warned:  it is a full ten plus minutes.