Posts tagged ‘painting’

Painting experiment No. 3

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Sharpie Markers, 91% isopropyl alcohol and gravity, 8×10″, on canvas board.  Bird painted in acrylic.  Private collection.  We made this up last Thursday with a new art instructor in the house!  Very cool.  Not sure though how long something like this is going to last…  For now though it looks cool and for the beginner artist: a fun way to open the door.

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Introduction to the Woodland School of Art with drawing exercise:  your instructor:  Mark Seabrook, B.A., B.Ed., and woodland style enthusiast!  One of the fun things we get to do is make art presentations and my fave is the Intro to, which includes a 50 minute drawing exercise where everyone gets a turn at drawing the Moose!

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Chalk on board, 48×72 inches, twinravens style moose in the Woodland School of Art style, made famous by the great Norval Morrisseau way back in 1962!  We have a fun time with this class and it works wonders no matter where we go!

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Found Poetry, Book 4, Sharpie marker and black ball point pen on thinly spread dollar store acrylic, on 1991 issue paper.  The book title is:  The Dream at the End of the World.  Love the title, don’t care about the book!  The paper is quality and I’ve been fussing with this little art and writing project since just after Labour Day.  Book 4…  should be ready by Xmas.  The fun thing about this one is there is a brand new bundle of very interesting drawing scattered throughout, interesting in a way that might lead to a new series of paintings.

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Ball point pen, 90 pound paper, sketch book, from 1995.  That would be Treasure Island in Lake Mindemoya, Manitoulin Island, Ontario, Canada, in the back ground.  And up front of course is the traditional dancer without his bustle.  Hey we are working a colouring book for the advanced: we’re way beyond keeping it within the black lines on this one.  It IS in the works.  This is going to be one of the pages!

The art journey and artist life continues!

Spoken Poetry

Performed by writer and arranger:  Mark Seabrook.

Many thanks for that email and so here is a selection, as requested:  Poetry.  By yours truly.  What we have here though is “Found Poems”:  we take a hard cover novel from the goodwill, we pick a title that we are attracted to, never minding what the book is about, and we use the “black out” technique, covering the words that mean nothing to us, leaving behind what does mean something.

The book I selected from the shelves at the goodwill:  Every Living Thing.  That title meant something to me.  Copyright way back in 1992, by James Harriot.  We picked it not only for the title but for the quality of the paper within the book:  we’re turning those pages into artwork as well, and art work needs good paper.  So be selective when you’re creating one of these fun Found Poetry books.  Find a title that means something to you and find one made with quality paper.  342 pages takes time: I started book 1 on October 16, 2018 and finished it on November 25, 2018.  We’re working on book 4.  But here are some selections from book one:  Every Living Thing.  Spoken Poetry performed by anishnabe artist and writer:  Mark Seabrook.

Oops!  My bad!  This one is from:  Infinite Riches, published in 1998 by Phoenix House, author Ben Okii.  Saved from the rubbish heap by yours truly and turned into a one of a kind book of poems and art!  (These can become heavy duty journals along the way!  This is book 2, created December 20, 2018 to May 9, 2019.  So be careful!)

Classic love stories, from the road taken…

Classic love stories…

Classic love adventures…

More classic love adventures…

Some of these, you may have to sign into your youtube account.

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Artwork from the pages of:  Every Living Thing.  Sharpie marker on dollar store acrylic paint spread thinly.  Sometimes there is no poetry to be found!  In which case turn the page or pages into visual arts!

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Yes…  it can become very telling.  Artwork and poetry, in book 2:  Infinite Riches.

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Ball point pen on acrylic paint spread thinly.  Woodland School style artwork by Anishnabe artist Mark Seabrook.

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Kooky.  Sharpie marker on acrylic paint spread thinly.  (Not sure where I was on November 9, 2018, but judging by this: going down memory lane…  )

And so there it is!  Spoken Poetry, written and performed by yours truly.  Art work, drawings and so on, created by yours truly.  It is an art and writing adventure!  Let me know what you think!  Drop me a line anytime.

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One for the road:  don’t forget to add a little colour to those art pages!  Dollar store acrylic paint with sharpie markers.

 

SUN INFINITY MOON Book Review

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Mark Seabrook is multifaceted with a tremendously creative spirit and a flair for storytelling, using the musical, visual and literary arts to carry forward his unique “voice”.  

SUN INFINITY MOON is the latest literary offering from Mark and is a collection of anecdotal accounts – years in the making – as told through an Anishnabe character named Sun, whom, along with all the others who make an appearance in this book is reportedly fictitious, existing, as Mark states in the foreword “wholly within the author’s imagination”…  ”Any resemblance to actual persons living or dead, events or locals [sic] is entirely coincidental.”

For readers who may be familiar with Mark Seabrook’s life and works, the coincidental resemblances are pronounced and one finds it impossible to refrain from attempting to deduce what is real and what is imagined.  Perhaps that is precisely the way Mark intends it to be?

We begin with:  We found a pile of human bones on the floor of the tree house.  A pretty great opening line for book of stories!  There was no order to the way they were piled, it was all abstract expressionism, Jackson Pollock style […] It was that fuckin’ skull, upright, jaw missing, top teeth gnarling on the coarse floor boards, frontal and parietal blaring like a pair of brand new stripper shoes mailed in from L.A., that caught my attention.  At some point in time that was someone’s think tank.  Someone’s whole of everything was up there, everything they could imagine and cherish, childhood memories, first love, the nightmares, were stowed and secure in that brain case, which was now bone dry, on a floor.  Empty.  The maggots had cleaned house and run off.”  Mark’s phrasing and descriptors all throughout the book are marvellously evocative whether they are conveying Anishnabe angst or reflecting on non-native practices.

And there is A LOT of Anishnabe angst.  And anger.  And revengeful ravings.  Amidst the playful dark humour and erotic tales there is an unmistakable undercurrent of humans behaving badly.  Such non-edifying things I have trained myself to avoid – but as Mark is a friend and I was proud he had followed through on his goal of publishing this book, I thought it was important to give it a read and gain some understanding.  

Mark had a compelling desire to convey a “sick and disgusting story” (his words, private correspondence) without an editor’s assistance, for fear that any editing would perhaps make the stories less “his” and risk becoming adulterated by the influence of non-native manipulation.  Such close protectionism causes the book to suffer, however, and I understand a second printing is in the works, with some essential grammatical improvements that should not conflict with the telling of these tales.

Nevertheless, for all it’s disjointed recapitulations and errors, SUN INFINITY MOON is actually rich with layers of meaning, above and beyond the unpleasant disrespect the characters (both native and non-native) show for each other, for non-human creatures and for the environment.  The deepest layer Mark Seabrook crafts for readers is that a great wrong has been done to Anishnabe youth with lingering, festering wounds that continue to hinder mental wellness and self-actualization.  That dark layer of meaning is the type of wrong that occurs in all cultures, worldwide, and to this reviewer signals a psychological malfunction present within the human species itself.  It is a darkness that when illuminated by awareness, inspiration and inner discipline can be channeled into human constructs that ennoble, enrich and transform, allowing each of us to better discover our inherent talent and live up to our full potential.

If the intention of this book was to amuse and entertain while unveiling a host of deleterious behaviours and events, intermingling sweet memories with frightful ones, it has achieved that end.  It may have been cathartic for Mark Seabrook to write such a series of tales…future works will reflect that or not.  Within Mark’s character “Moon”, we see it is possible to develop awareness…perhaps in a future literary exploration, Mark can expand upon that and use his creative storytelling techniques to help humans transcend the species-wide affliction of destructive behaviours.  That would be a book I would be glad to recommend!

L.  Manitoulin Island

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Page 15, from “May 11, 1996”, SUN.  Sun Infinity Moon, by Mark Seabrook.

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Back cover:  Sun Infinity Moon, by Anishnabe artist and author: Mark Seabrook.

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Missing In Action, painted face masks, acrylic on canvas, 30×30 inches, by anishnabe artist Mark Seabrook.  Private collection.

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Missing In Action, on display in Ottawa, 2014.

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Killed In Action, painted face mask and acrylic on canvas, 30×30 inches, by anishnabe artist Mark Seabrook.  Private collection.  (On display in Ottawa, 2014)

Art Battle Tonight!

hey i was called up for tonight’s Art Battle here in Ottawa!  for those of you not in the know:  they give you a 16×20 inch canvas, acrylic paint, an easel and 20 minutes!  all you have to do as the artist is bring your own brushes and your own ideas!  i’ll tell you right now they have some pretty decent painters signing into this show, folks who can get it done fab style within those 20 measly minutes.  i am not one of them!  i can get it done in 20 but have never made it out of the first round.  maybe tonight is my night!

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that’s me back in April, thinking i had a great idea but nope!  (truth is: no matter how big the house i always come down with a serious case of the butterflies…   complete with shaking hands…  )

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that’s way back in 016, the Halloween version and big time NO GO to the 2nd round.

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in Ottawa on Friday night!

and that’s way back in 015, on my first visit to the AB, with NO DICE!

at any rate, it is a fun time, fun to be in with those other artists, and fun to be in the show!  we’re in a new venue this time, 250 City Centre, which is not downtown.  how it got the title of City Centre when its way out in the middle of nowhere is beyond me.

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Big Bucks = Happiness.  Acrylic on canvas board, 7×9 inches, by anishnabe artist Mark Seabrook.  maybe tonight i should stick with the basics.

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Indian Residential School, Hell on Earth.  Sketch.  Acrylic on canvas board, 7×9 inches.  Artist Collection.  or maybe i should attempt a “statement”.

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Stacey from Malibu, sharpie marker on 8.5×11 paper.  Artist collection.  one thing is for sure there is no time to call up Stace for advice on what to paint and what to wear.  i know what she would say though about what to wear:  You have one life to live, don’t put it off to tomorrow.

i’ll let you know how it goes!

 

Woodland School style by twinravens

here is my version of the Anishnaabe Woodland School of art, founded by the great Norval Morrisseau, and introduced to the art world in Toronto, way back in September 1962.  what a great artist journey/adventure Norval M. went on after that!  all the way to the National Gallery of Canada in 2006/07.  i’m a long way from having my work in the N.G.C.!  but here is my version anyway:

A Self Portrait on November 30th by Mark Seabrook

Self Portrait on November 30th, acrylic on canvas, 30×40 inches.  Private collection.

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Feeding the Wolf, acrylic on canvas, 36×48 inches.  Private collection.

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Anishnabe at Full Moon, acrylic on canvas board, 16×20 inches.  Artist collection.

Bear Clan with White Raven

Bear Clan, acrylic on canvas board, 16×20 inches.  Artist collection.

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Water Spirit, Homage to Norval M., acrylic on canvas, 24×36 inches.  Private collection.  (the paint wasn’t even dry when that one went out the door!)

Moose Nahmiwan

Moose Nahmiwan, acrylic on canvas board, 16×20 inches. Painted on the Range in March 2015

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Indian Residential School Survivor, acrylic on canvas, 36×48 inches.  Available for purchase.

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Anishnabe Woodland Nights, acrylic on canvas board, 16×20 inches.  Private collection.

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Power Bird, acrylic on canvas, 22×28 inches, getting ready to ship out.  Private collection.

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Me, standing next to a Norval Morrisseau acrylic on canvas at the National Gallery of Canada.  A lot of us anishnaabe boys who are painters owe a salute to the great Norval M. and his high and mighty work.

Landscapes, twinravens style

As per requested, thank you for that email, here are a few of the landscapes paintings from the past few years:

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twinravens on the range, winter, acrylic on canvas board, 7×9 inches.  Artist collection.

Tehkummah Winds on September 2

Tehkummah scenes, late August, acrylic on canvas board, 10×12 inches.  Artist collection.

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Red Wing Blackbirds on the open range

Acrylic on canvas board, 7×9 inches.  Private collection.

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Tehkummah scenes, acrylic on canvas board, 7×9 inches.  Private collection.

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sketch, 7×9 inches on canvas board

Tehkummah scenes, winter.  Private collection.

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Tehkummah scenes, winter, acrylic on canvas board, 7×9 inches.  Private collection.

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Before the Blue Moon, 6 of 9

Acrylic on canvas board, 9×12 inches.  Private collection.

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twinravens on the range, 10×20 inches on canvas board

Private collection.

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Tehkummah Scenes, acrylic on canvas board, 7×9 inches

Private collection.

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A selection of 7×9’s beautifully framed by a private collector.

So there are a few of the pieces from the past few years, inspired by the open range back home in Tehkummah, inspired too by the great Jackson Pollock!

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The Range, back home in Tehkummah, Manitoulin Island, Ontario, Canada, on a fine and wonderful summer morning: in peace and in paradise!

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Home sweet home!  That’s crib on the range, Tehkummah, Manitoulin Island.

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Home sweet home on an August evening, many moons ago:  no noise pollution, no light pollution!  What a place to call home!

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Oh yes we can’t forget this one!  Acrylic, 7×9 inches on canvas board.  Artist collection.

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The Artist, at the lake, Unionville, Ontario.  A November afternoon…

Life and Times of a Famous Native Canadian Artist, Vol. 3

ha ha!  joking of course.  we’re not booked to be at the MET any time soon nor do we have important pieces over at the NGC.  we are the classic:  legends in our own minds!  and so yes, with a chuckle:

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the “Black Framed Originals” we’ve been working on this autumn, preparing for a pop up flash art show in November.  that is an 18×24 inch canvas board, Mother Earth sketch,  and it is one of 20 we have ready go!  the painting just above it i have been looking at for about a year.

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the painting just above, Detail: Who Is She?, 30×48″, on canvas.  the original painting of the girl on the lake, winter, 1990, yeah it was a peaceful scene but i just had to HACK it!  5 years ago it came back from where it was on display and by that time i had opened up the “art bridge” and re read a few articles on Jackson Pollock!  so this canvas was just begging to be re worked.

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yes yes it is not the classically painted face but that wasn’t what we were going for then nor is it what we’re going for today!  fact of the matter is: hey i like this one.  like i said i’ve been looking at it for a year, hanging on my wall over here in Ottawa, and i’m starting to think maybe i’ll keep that one.

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Striking a Pose, in Whitedog, Ontario, sometime in the spring of 1991.  that was on the Toronto at Dreamer’s Rock National Tour, Debajehmujig Theatre Group, and we’re about half way into that tour.  i had friends who are now long dead and gone, dust and bones, from up there, who hadn’t been home in years, and when i told them i might be passing through their old starting point they told me to get some pictures.  this of course was not the photo they were expecting!  (story of my life, ha!)

i recently saw this old photo and others when muddling and “muggling” the idea about the next writing project:  Fighting In Hell, an anishnabe’s art journey.  the title for that writing project is still in the works and the stories within: an artist story, what to leave in, what to leave out?

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that is the great Gabor Mate and his lad, in Toronto on Friday night, October 18th.  they were in town to make a presentation on parents and their adult children and the business of healing.  very interesting!  but my question was and is this:  what if the adult child has had several sets of parents from bio parents to foster parents to adoptive parents of a different culture, all within the first 7 or 8 years of life?

175 participants signed up for that 3 day presentation and you can bet any time Gabe opened the floor for questions about 80 hands shot up, and usually the same 80 hands!  so i didn’t get to ask my question.  you see Gabe is a genius.  you have questions along these lines, he has answers.  google his name if you’re not in the know.

175 x 350 = 61 250.  nice work!

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half of the “artist uniform”, at the conference, front row.  you can bet the other half of the artist uniform had things to read/say and that place being 98% women participants, there certainly were a few readers!  Nature.  Cheaper than Therapy.

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back in Markham before the bug out: wiggling the toes!  the boss man is up on the 9th chilling and i’m in the lobby switching out of the artist wear black boots for some basics: the new car has a standard transmission and folks i like to have my barefeet on those three peddles.  this being mid October, black socks will have to do!

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blazing down the 401, east bound, Sunday night alone, in the brand new limo:  put the radio on and up came 10cc, I’m Not in Love.  it being the oldies FM station they weren’t cheap and played the 6 minute version.  sweet.  kooky too, riding through the mild autumn night, all those heavy duty thoughts from the conference stewing, all those heavy duty memories from what seems like another life time ago, stewing, the open road, the wiggly toes, and the here and now…

kind of peculiar how things work out…

as a refresh: here are the opening few lines of the original life and times of, Vol. 1, posted way back in the autumn of 2017.  ah but what a beautiful September it was in 2017:  6 weeks of Indian Summer on the open range, a paint brush in my hand during the day, a glass or a key pad at night.  30 C during the afternoon, 20 C at night, for 6 wonderful weeks, down in the cosy back country of Tehkummah: no light or noise pollution.  no neighbours.  nothing but a suitcase full of 20 dollar bills and the artist with an agenda.

Life And Times Of A Famous Native Canadian Artist…

ha! i say that jokingly! because i’m out here on the range, going on 21 days now without a note of art conversation, idea expressed verbally, or hint of a hand to hold while under the mighty Milky Way. she’s new moon boys. and so, alone under the almighty, with eagles roosting down by the river (what music they make first thing in the morning!) and the great wide open: there is room to stretch the “art making arms”. we have some good looking pieces but we’re also getting down to the bottom of the paint barrels.

so last night around 7 i stowed the gear, set a table for one, lit a candle, cracked open a Paul Jaboulet Aine Cornas Domaine de Saint Pierre (2012), sparked up the youtube for a little dinner music and instead got attracted to a documentary about alien abductions. i watched the nutty scenes, heard the kook house stories, heard the so called experts blabbering on about all this stars and moon and space stuff and…

From the twinravens blog:  September 2017.

now i have no idea what i did to the comments section here,  see it is turned off.  but you can always email at twinravens at hotmail or twinravens at gmail.

miigwetch.